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Berlin-based Georgian artist Thea Djordjadze has opened A well of night at Sprüth Magers’ New York gallery, her first solo exhibition at that location and her first return to the city for an exhibition in a decade. The show combines existing and new works, including plaster reliefs, and changes how visitors experience the gallery’s neo-Renaissance interior.
Berlin-based Georgian artist Thea Djordjadze is showing A well of night at Sprüth Magers in New York through Oct. 24, 2026, marking her first solo exhibition at the gallery’s New York location and her first exhibition return to the city in a decade. The installation responds to the space’s neo-Renaissance architecture, bringing sculpture, painting and changes to the gallery interior into a single exhibition.
The exhibition brings together existing works and new pieces, including plaster relief paintings and reconfigured sculptures. Djordjadze places steel and aluminum alongside sculptural paintings made with pigment layered over porous plaster. The raised surfaces give the works a three-dimensional quality that sits between painting and sculpture.
The gallery setting is also part of the arrangement. Djordjadze has covered the dark hardwood floors with light-colored vinyl, changing the room’s appearance and blurring the visual boundary between floor and exhibition space. A steel vitrine holds a print sealed behind plexiglass; its reflective surface picks up the room around it.
The vitrine form has appeared in Djordjadze’s work since 2017. According to the source report, it refers to mid-century display cases made for Tbilisi’s archaeological museum by Georgian anthropologist Alexander Javakhishvili and painter Avtandil Varazi. The exhibition is at Sprüth Magers, New York, until Oct. 24, 2026.
How the Gallery Shapes the Works
The show foregrounds an approach in which the exhibition space is not a neutral backdrop. The building, floor treatment, reflections and placement of individual pieces affect how visitors encounter the works. That makes the relationship between art and architecture a practical part of the installation, rather than simply a theme suggested by its title.
For visitors, this means the experience depends partly on moving through the particular gallery and seeing how objects relate to its interior. Djordjadze’s use of earlier pieces alongside new and reconfigured works also presents an exhibition as a changing arrangement, rather than a display of objects treated as entirely separate or fixed.
gallery lighting and display cases
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A Decade Since Her Last New York Exhibition
Djordjadze is known for making site-specific sculptural environments that respond to surrounding architecture. In a 2024 interview with Elephant, she described the building as an active part of her decisions about positioning and making work. The source report says she approaches exhibition-making by attending to the building and the relationships among pieces.
She has also described her works as not quite finished, because she reevaluates them in relation to one another and to each new exhibition space. That perspective helps explain why A well of night combines old and new work and includes reconfigured sculptures. The New York presentation is her first exhibition in the city in ten years, according to the report.
“For me, the building and the design and the architecture are very important. The sculpture is making decisions; it’s telling me where to go, how to be positioned. It’s not only me. It’s the interaction between me and the sculpture and the building.”
— Thea Djordjadze, speaking to Elephant in 2024
Details Beyond the Exhibition Listing
The source report confirms the venue, exhibition title and closing date, but does not provide visitor numbers, a full checklist of works, admission details or information about related public programs. It also does not state whether the exhibition will travel to another venue after its New York presentation. Those details should not be inferred from the installation description.
The New York Show Runs Through October
A well of night remains on view at Sprüth Magers in New York through Oct. 24, 2026. The source material does not identify a later venue or announce a subsequent exhibition connected to this presentation. Visitors seeking practical information, such as hours or admission requirements, should check with the gallery.
Key Questions
Where is Thea Djordjadze’s A well of night showing?
It is on view at Sprüth Magers in New York.
When does the exhibition close?
The exhibition is scheduled to remain on view through Oct. 24, 2026.
What works are included?
The show combines existing works and new pieces, including plaster relief paintings and reconfigured sculptures. The source report does not give a complete work list.
How does the installation respond to the gallery?
Djordjadze’s installation engages with the gallery’s neo-Renaissance architecture. Light-colored vinyl laid over the dark hardwood floors changes the room’s appearance, while a reflective vitrine incorporates views of its surroundings.
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